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Re: VMs: Voynich MS Theory
Hi Martin,
At 14:17 18/07/2003 +0000, Martin Herron wrote:
During the documentary, I discovered that a theory of the origin of the
manuscript was based on the fact that in the book there is a picture of a
Sunflower, dating it to pre-1470 or something (all dates and historical
facts I mention are based purely on my memory of the programme and may be
way off - you will know the actual dates - they are pretty irrelevant to
the theory anyway). There was a lingering shot of this picture of a
Sunflower, and I remember thinking that it didn't look much like a
Sunflower to me. I didn't think much else about it, as I have no interest
in plants other than finding them pleasant to look at.
The point about the sunflower ("gira sole", ie "turn towards the sun") is
that it was introduced into Europe by Columbus, and so was basically
unknown here pre-1492... and this has been used to argue an earliest
(European) date for the Voynich of 1492.
But certainly, as you (and others) have pointed out, it doesn't really look
much like a sunflower, not even the versions originally brought back
pre-1500. There's more critique on sunflowers on this site:-
http://www.pharo.com/history/voynich_manuscript/articles/mhvm_02a_interpreting_the_images.asp
However, passion flowers are documented as having been brought back by
Spanish missionaries from Brazil in the sixteenth century, which would
perhaps point to an even later date.
http://www.rbgkew.org.uk/ksheets/passion.html
One good suggestion for you might be to trawl the Internet looking for
pictures, and to then use them to put up your own simple one-page website,
side-by-side with the picture from the Voynich, and post a link to it onto
the list. If you're trying to make a pictorial argument, use pictures! :-)
But perhaps the biggest related problem here is that only a handful of
images in the Voynich seem clearly representative of real plants: many seem
to be composite, metaphoric or (worse) just plain made-up. This makes the
whole enterprise of drawing inferences from its depicted plants (ie,
exactly what a normal herbal researcher would do) fraught with uncertainty,
which is perhaps why normal herbal researchers tend to leave the Voynich
well alone. :-o
Cheers, .....Nick Pelling.....
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