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Re: VMs: ... speculating with "dairol"
Koontz John E wrote:
I believe that the Voynich ms glyphs rendered as vowels in the EVA
transcription consistently behave as vowels in statistical analyses of
vowel-like behavior.
Gabriel did a chart that shows CV identification by the
Sukhotin algorithm for different transcription systems. I
can't find anything about it; it was on his site, which is
down at the moment. I think you are basically right that
EVA vowels are Sukhotin vowels.
I do not know to what extent similarity of shape and
patterned behavior determined the equation of Latin characters to Voynich
glyphs, but it seems to me that both were to some extent deliberately
employed. Apart from this, the various tables of transcription systems
available on the Web show that there has been some degree of mutually
influencing evolution in the development of such systems.
Yes. There's no need to speculate, though. Gabriel
invented EVA, ask him!
All the systems make the transcription symbols resemble the
glyphs for mnemonic value. I'm not sure whether anyone
considered patterned behavior.
In spite of this it seems very important to remember that EVA is not
Voynichese. The encoding is very convenient, but it may be misleading in
various ways. For one thing, it implies an analysis of the Voynich
writing into character entities that is very likely to be incorrect. For
another, it does suggest vowel and consonant readings. In fact, the EVA
transcription is perhaps a bit too seductively "pronounceable" to be quite
safe!
-iin is obviously, in most cases, a single glyph. To
consider it a double vowel followed by a terminal consonant
would be a big mistake, one I'm seeing too many people make.
Anyway, even if you accept the resolution into characters, even if you
accept the consonant vs. vowel distinction implied and the clever way in
which the peculiar bench and gallows patterns are encoded with (c,s) + C +
h sequences, it seems unlikely that all the matchings of particular
consonants and vowels are correct.
More generally, the VMs most likely contains digraphs;
several glyphs may represent a single underlying phoneme.
Or some cryptographic equivalent thereof. Surely we're
missing this in EVA and all the others.
But none of the transcription systems were ever intended to
be taken at face value! They were all simply intended to be
the starting point for further analysis.
My questions are: Can the fact that EVA is somewhat pronounceable tell
us anything helpful at all about Voynichese? Can the failure to resolve
the glyphs into truly pronounceable words tell us anything helpful about
Voynichese? Can the attempt be of any benefit?
To me it suggests that the encoding - no matter what the details are -
preserves the syllabicity (CV alternations) of the underlying language and
represents consonants and vowels in different ways. That is, an
underlying form like cat (or whatever) is not encoded so a constituent
element in the encoding can sometimes represent c, sometimes a, sometimes
t. It seems likely that the representation of a given sound is always the
same, or at least that consonants are usually represented in one way and
vowels in another.
See the remark above about digraphs. I think the VMs also
involves some type of cipher, that it isn't a
straightforward representation of a natural language.
Jacques pointed out to me that the Sukhotin algorithm
doesn't distinguish consonants from vowels, but rather sets
of symbols that do and do not contact each other. I assume
that other vowel identification algorithms work the same
way. They are a standard tool for breaking simple
substitution ciphers. I'm not very sure about what these
algorithms say about unknown languages/scripts. Remember
too that scripts may contain logographs or symbols for
several phonemes, as Egyptian hieroglyphic did.
I don't see why consonants should be represented on one way
and vowels in another; that isn't true of the Latin alphabet
so far as I can see. The Latin vowel symbols ultimately
came from proto-Semitic consonant symbols. /A/ came from
the symbol for the glottal stop, an Egyptian symbol that the
Sinaitic Semites thought looked like an ox head.
I'm not sure exactly where Tolkien got the basic ideas for his script, but
he was fascinated with languages and familiar with the classical
Indo-European ones, and his scheme bears a certain generic resemblance to
the approach used in Devanagari. It also resembles to some extent the
medieval and later approach to abbreviating words or parts of words to
consonantal frameworks with attached diacritics for omitted vowels or
inflectional endings.
We haven't given much thought to possible diacritics in the
VMs, except for the hooks over some of the benches. You
make an interesting point about Medieval abbreviation
systems; Capelli has been our resource for these, and maybe
Bischoff. EVA /y/ looks like the abbreviation for the
common masculine singular -us . But /y/ looks much more
like 9 and is not a diacritic.
Dennis
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