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Re: VMs: Faces at the roots



Thanks Luis:

It is an amazing world we live in now where so many pairs of eyes can be put to bear on a problem whereas a decade ago no single researcher could possibly discover such a diversity of sources.

I have seen several references to anthropomorphic shaped roots, most often related to ginseng panax and mandrake. Usually, the distinguishing feature is that the root is shaped like the human form as a whole although the occasional reference to a human form with a head appears. The general thrust is the similarity of form is what makes them useful or valuable. I scrutinized the folios in the VMS against those plants and can't say they look particularly like mandrake or ginseng on a close basis, but old herbals in general don't seem to be particularly accurate in the plant forms. Too me the one on f101v2 more closely appears as a radish, but I am at the point where I don't think they are meant to be real plants. It is even possible that the f33 one is a radish in the flowering stage but the leaves aren't really correct.

As between the two folios in question the remainder of the plant parts of those with faces don't appear at all alike in the VMS. I think it was the cumulative effect of this "face example" with other examples of exaggerated features like a root that appeared "topped off" with shoots growing from it, serpentine forms with a head, segmented triangular forms, and lion or bear claw forms, that made it seem that the exaggerated forms were perhaps meant instead as pointers to a key page (a page with labels). Some feature of the plant on a text page was so exaggerated that the recipient could easily link it to its key, as for example the bizarre pointy capped looking leaves.

The bigger problem to me is the short length of those plant labels simultaneous with the recycled nature of the syllables across subject pictures. This suggests null syllables or numeric codes. The problem with numeric codes is if the number is based on the leaves or number of plant parts, there is inconsistency across folios, and if only one of the two syllables is the numeric code in two syllable plant labels, again those syllables have been recycled in such a way that would be inconsistent (i.e. if the first syllable, OT represented seven per plant item 3 on f101v2, it has been used in another instance as a first syllable where the image doesn't appear to have seven elements of anything?)

This was a part of the reasoning leading to the nulloes hypothesis as well....

Wayne


On Sunday, April 24, 2005, at 10:36 PM, Luis Velez wrote:


This erbario from the late XV Century (c.1460), Florentine School, fits the general
idea of the VMS: all the plants have roots, and there is even a sample with the proverbial split root with two faces.


There is also a certain similitude in the drawing style. Seeing this, one can well understand why the VMS origin has been identified so far as of "Northern Italy":

http://www.istitutodatini.it/biblio/images/en/riccard/2174/htm/ elenco.htm

I'm glad the Biblioteca Riccardiana decided to make it digitally available to the public.

However, note that "faces at the roots" were not an exclusive feature of the herbals of the Scuola Fiorentina - see this picture from another Erbario (Scuola Bolognese - XV Century):

http://www.dipbot.unict.it/Erbario/erb_maXV.jpg

On the issue of roots: drawings of plants with roots is a trend that dates back to Dioscorides, and perhaps before him, since most of what he did came from others. But it would be interesting to see what sort of plants these "faces at roots" hint of.

I'm interested to see what comes out of JH's plant identification efforts and if there are any comments out there for Elmar's 'graphic decomposing' approach.

Also, I've followed up on suggestions made by Petr regarding Carrichter and Thurneisser, and
have wondered if Dodoens, a Belgian physician to Rudolph II with a penchant for botany books with an astrological-medical tone (he wrote some himself), ever got to see the VMS. Tsk, a futile speculation, since it is more than likely that we'll never find out.


Luis




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