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Castles in the 9-rosette diagram...
Hi everyone,
While I can certainly see that the 9-rosette diagram could be read as a
folding key, or even as a map of embryonic developmental biology, I'm more
concerned with trying to identify the castles and towers - basically,
whatever else the diagram is, its main function is probably as a map. :-)
Looking at other castles on this page (most are barely visible on the
Copyflo):-
(1)-(2) NE rosette (with the main castle). This contains two additional
towers: if the main castle is at 9 o'clock, these are at 7.30 and 6. These
are both fairly simple unadorned towers, and my initial guess is that these
are staging posts along a road connecting two main towns.
(3)-(5) Causeway between NE and E rosettes. This has three towers
side-by-side, with the central tower being much taller than the other two.
There's also indication (very faint) of some kind of building just below
them (if you have the copyflo upside down). The town containing this should
be fairly easy to identify.
(6) Causeway between NE and N rosettes. This has what appears to be some
houses along the edge of the "road" - but the clarity of the CopyFlo is,
frankly, minimal. Interesting, but (IMHO) not really enough to get excited
about. :-(
(7) Causeway between N and NW rosettes. This contains - albeit extremely
faintly - a *most* interesting structure! Having examined Filarete's
Sforzinda in some depth, I was struck by the similarity between this tower
and Filarate's drawings of extended (and elaborate) multi-stage towers.
The Bramante tower (in Vigevano, home of a Castello Sforzesco and the
Sforza court, and the place that Duke Ludovico Il Moro planned to
restructure), completed at the end of the fifteenth century, is one example
of this "filaretiana" multi-layered style of architecture, but my guess
ithat these are quite rare - so should also be easy to track down.
I'm currently emailing people (who would probably know about this kind of
thing) what other examples of filaretiana towers are known to have been
built around 1500 - fingers crossed that this moves us forward. :-)
Also note that a twelve-sided castle from this date at nearby Sartirana
(known as Terraforte in the Middle Ages) was on the estate of Cicco
Simonetta, the Sforza advisor and cryptographer, though I can't see any
twelve-sided castles on the CopyFlo (but that doesn't mean they aren't there).
My current hypothesis: that the central rosette represents a mountain, and
the N & S (and perhaps E & W) rosettes represent watermills, driven by the
runoff from it. After all, their abstract resemblance to windmills has been
noted many times, and the diagram is *filled* with pipes. (Also: Leonardo
extensively compared wind and water in his notebooks).
So: could this page be no more than a design to specify how to channel
water from a natural source down to a town's baths? This would need to say
(1) where the water was coming from, (2) where it was going to, and (3) the
route it takes to get there: and this would seem to match this general
template.
Another benefit would be that this would also strongly link this with the
whole balneological section (which immediately precedes it).
http://www.vigevano.net/citta/uk3.htm#sforzesca notes:-
Sforzesca, the hunting residence and farm built on the
orders of Ludovico il Moro in 1486, is in the immediate
vicinity of Vigevano and rises up on a high natural
terrace which overlooks the Ticino valley.
In terms of structure, it is reminiscent of a traditional
castle lay-out with four walls around a central courtyard
which is almost square in shape and has four large
buildings, known as "colombaroni", one at each corner.
These are decorated with ogival windows and
jagged-edged friezes. The residence is surrounded by
an expanse of cultivated land, irrigation channels and
water-mills designed by none other than Leonardo da
Vinci who was a guest here at the end of the fifteenth
century.
Now, I'm not suggesting that this Sforza hunting residence is represented
on this page: but large-scale water engineering (such as dams,
canalisation, flooding for defence, etc) was one of the key challenges of
the day, that wealthy patrons looked to talented people like Leonardo da
Vinci to solve - so we shouldn't be at all surprised if this turns out to
be the case here.
Cheers, .....Nick Pelling.....
PS: Leonardo didn't always get it right: when he tried to automate the Duke
of Milan's kitchens (with conveyor belts etc), he made a right mess of it. :-)