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Re: VMs: Yet another weird hypothesis ...





So, as far as I understand, it confirms - the VMS writer is not a sexually 
oriented person.



On Fri, 5 Sep 2003, Nick Pelling wrote:

> Hi Mart,
> 
> At 23:53 04/09/2003 +0300, Mart Vabar:
> >I don't know much about grafology, but I think, the writer is not very
> >interested in sexual things at all
> 
> According to the introductory notes on http://www.britishgraphology.org/ ...
> 
> Middle Zone:
> *       Common-sense
> *       Self-assertion
> *       Sentimental, social and rational considerations
> *       Attitude to everyday life.
> 
> Upper Zone:
> *       Extension above everyday matters into the realms of dreams
> *       of intellectual or spiritual interests
> *       of ideals and speculation.
> 
> Lower Zone:
> *       Extension into the sub-conscious
> *       Instinctual needs, e.g. sexual inclinations
> *       Material and business considerations
> *       Down to earth.
> 
> Capital Emphasis: (overlarge (more than twice height of m/z letters)
>          embellished or elaborated capital letters.
> *       Love of limelight
> *       Self dramatization
> *       Lack of mental balance
> *       Auto-suggestion
> *       Over-compensation of inferiority feelings, by showing off.
> 
> ISTM that the VMs' elaborate gallows indicate both intellect & 
> self-dramatization, and its weak lower zone to impracticality and low 
> sex-drive. Well, allegedly, anyway. :-o
> 
> The history of graphology (ie, as an indirect study of personality, as 
> opposed to stylistics or palaeography) began somewhat after the VMs' likely 
> dates, so make of that what you will:-
> 
>          http://www.britishgraphology.org/history.htm
> 
>          But it is not until 1622 that the study of handwriting was put
>          into print, by the Italian Camillo Baldi, "How to recognize
>          from a letter the nature and quality of a writer". This was
>          little more than a collection of random observations though,
>          and remained virtually unnoticed.
> 
>          At the beginning of the 19th century, the German, Lavater,
>          and the Frenchmen, Edouard Hocquart and Abbé Flandrin,
>          developed the art of interpreting handwriting. But it was not
>          until the second half of the century, when Michon published
>          the results of his many years research into individual
>          handwriting movements, that the subject began to arouse
>          public interest.
> 
> Cheers, .....Nick Pelling..... 
> 
> 
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