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Re: VMs: F66r



Hi everyone,

I'm a little disappointed by the quality of this thread - ISTM that we should be more advanced in our reasoning on this matter.

(1) We have a document which appears to have been bound out of order. Evidence: the well-known plumbing mismatch in the balneo section, and from the Currier A/B bifolio mixups throughout the herbal section - and there are also indications that the balneo section is misordered in other ways.

(2) The crude "heavy painting" (ie not fine details, like the nymphs' mouths and cheeks) was done once the current binding was in place. Evidence: all the bleed-across between pages, the observation that we see bleed-across between Currier A bifolios and Currier B bifolios, and the fact that we only see bleed-across in places where we would expect from the current binding.

(3) The VMs' alphabet is strongly influenced by Tironian notae, and not influenced by Arabic numerals at all. Evidence: the word-initial and word-final EVA <y> seems a direct steal, and EVA <d>, <q>, <o> and <y> were plainly not conceived as numbers.

(4) The VMs' writing dates to before 1500 - if it's much later than 1500, it's someone trying to emulate pre-1500 writing. Evidence: its humanist hand, and its reliance on Tironian notae (largely forgotten by 1500, if we take Trithemius' "Armenian psalter" story at face value).

(5) The foliation is in a mid-Renaissance schooled hand, the Latinised quiration is in a hasty early Renaissance academic or monastic hand. Evidence: just look at them.

From this, we can construct a logical sequence for the construction of these main layers - but how we interpret that sequence is another matter...

(A) Pre-1500, a document is constructed. Only a little colour is used (though perhaps some colours faded, but might still be detectable by different scanning techniques?)

(B) The document is rebound

(C) The document is over-painted (perhaps beautified for re-sale?)

(D) Post-1500, the document has quire signatures added

(E) Post-1550 (say), the document has foliation added

There is no evidence here to suggest (for example) that the quiration or foliation was done by the original author: there is no evidence to suggest that it was constructed for any particular purpose. There is, however, evidence to suggest that the original author(s) left most of it uncoloured (a *real* ugly duckling!), and that most of the colouring/painting was done by someone later (and, I'd add, probably quite unconnected except through ownership).

Cheers, .....Nick Pelling.....

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