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Re: VMs: The Star Chart on f68r3
The Pleiades are carefully drawn, and using their orientation,
found matches for all the stars shown. The diagram shows
an area about 15° in diameter.
I know I haven't spoken here in the last couple of years. In fact it was
this very picture that I was looking at and was being ... discussed... two
As you know, I believe the VMS is a document that connects directly to
certain ancient information regarding the cyclical destruction of earth
that we today call the End Times.
The only part of what I see that annoys people is the ET connection to
this. I believe this is going to change.
You need to understand how I think. I am dealing with a chunk of history
15,000+ years in length. Within that time frame I am searching for remnants
of a theme. A theme that was deliberately removed from history around 5200
BC, changed, and reinserted into our lives as a religious belief system
that instilled "appease the gods...or else we'll all die."
Since the BBC interview I have realized that I missed something. Something
that was starring me right in the face. We have had 14 MINOR destruction
events since the big one 15,000+ years ago. Each MINOR (or groups of
events) event caused a change in history. The biggest change came with the
first minor event, about 5200 BC. Two things came with this. Religion as we
have come to know it, and, "secrecy."
How does all this tie in with the VMS?
Between the approximate dates of 900 AD to about 1300 AD we have had 4
MINOR events. The "Little Ice Age," as well as recorded volcanic activity,
are tied to this.
What I am looking at, and this is FAR from finished, is the sudden arrival
of hidden information. We know it as the Graal legend. Buried under a ton
of very old "story" material is a theme. That of a transfer of "seat," from
Uther Pen Dragon, via "Merlin," to "Arthur." Barron knowingly ties the
story to Christianity (the last hidden release of "end times" material) and
the Quest to find certain information, obscured as "the Graal," takes off.
From the looks of things the information was found, collected, and saved
as the VMS. The last time this information surfaced was in 1957 and tied to
Fulcanelli's work at the Hendaye's cross. The four pictures at the base of
the cross are the destruction icons. The star (first appearance of the
event), moon (a reference to the oldest icon of this story, Horus), the
"angry" sun (represents the solar flaring activity), and four "A's."
I do not agree with Fulcanelli's definition of the 4 A's representing the 4
ages. We have "A," and we have "4." 4 represents gamatria. We have aleph
and (letter / number 4) daleth (no vowel points, representing the ancient
Hebrew). The definition of AD: mist, vapor, ties this to "Chaos"...the
"rebirth" part of the Phoenix cycle of death and rebirth. Proof of the
cross creators intent is preserved in the method of ancient languaging. If
we add "N" (nun) to AD, as ADN (again, drop the vowel points), we get:
base, foundation, pedestal. Which is exactly where this information is. The
base, pedestal of the cross.
Robert, if this is indeed the Pleiades it directly connects with the
destruction information I believe is at the core of the Voynich. It
represents part of the information regarding the galactic anti-center. The
direction the superwave took when it passed here. Myths are tied to the
Pleiades that directly relate to the destruction. (see LaViolette's book
Earth Under Fire)
This leaves the "plant and nymph" pictures. What do they have to do with a
destruction on earth? Evidentially, nothing. How much time is wasted on
them? They seem to do exactly what they were intended to do. Divert
attention from the text.
I am not looking for a replay of two years ago. The only reason I am
writing this is because of the Pleiades connection. If ancient myth was
Pleiades centered as far as the destruction, it makes sense (to me anyway)
the VMS would have the connection. After the holidays I will look into this
It is difficult to have a rehearsed routine fit in with broken rhythm.
Rehearsed routines lack the flexibility to adapt. - - Lee Jun Fan
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