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Re: Re: Re: VMs: VMS, languages and Jacobus signature
Hello,
well, the text surely looks more clear under highlight - but what is peculiar is the spot bellow the big rectangle, on the flower. While it has similar texture of the "noise" as the main rectangle, it does not look like some protective foil or graphically introduced "highlight", but simply as a drop of some liquid. tehre is a lot of additional marks by later tratment? Too bad we do not have the color copy. There are also some perfectly linear scratches at the bottom, were they drawn by author or how could they possibly get there (they do not look like fold) ?
By the way, silly question: why didn't Beinecke provide color copies of all folios? I bet most researchers would appreciate that.
jan
======= At 2004-03-13, 00:30:00 you wrote: =======
>At 22:29 12/03/2004 +0000, Nick Pelling wrote:
>>Hi Jan,
>>
>>At 16:35 12/03/2004 -0500, you wrote:
>>>...anybody knows why there are some light-colored rectangles, overlapping
>>>the text?
>>
>>If this is from Takeshi Takehashi's set of scans of the microfilm, I'm
>>quite sure these rectangles are areas where he wanted to enhance the text
>>(presumably to transcribe it more reliably). No great mystery, I'm sure. :-)
>
>Some of them are also in the colour images; it is possible they are thin
>films of some material glued on the surface to make it more solid (once
>upon a time a very thin kind of paper was used for this, but other
>materials might be used today). This is routinely done in painting
>restoration. Just an assumption, though...
>
> Maurizo
>
>
> Maurizio M. Gavioli - VistaMare Software
> via San Bernardo 5, I-16030 Pieve Ligure, ITALY
> http://www.vistamaresoft.com/
>
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Best regards.
Jan
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http://www.angelfire.com/electronic2/ohlas/VM/ Voynich Manuscript
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